Kiley Reid earned her MFA from the Iowa Writers' Workshop, where she was awarded the Truman Capote Fellowship and taught undergraduate creative writing workshops with a focus on race and class. Reid lives in Philadelphia. Enhance your purchase. Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young black woman out late with a white child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated.
By the heart of the novel is Emira Tucker, the babysitter, who is an aimless year-old former English chief with a far-from-conventional background. If Emira is something of an anomaly, her boss, Alix Chamberlain, is a cartoon of the working-mom influencer. In her late 20s, she developed an Instagram-based female-empowerment brand called Let Her Address. With little more than tidy cursive and a B. That Alix is not so nimble at cross-racial empathizing is painfully clear. That Alix had read everything that Toni Morrison had ever written. Claiming that Alix is using Emira for her own achieve, he repeatedly urges Emira to abandon her job. But the enlightenment Kelley prides himself on comes in designed for some gentle skewering.
She talks about class, race and healthcare. Set in Philadelphia, the story begins when Alix calls Emira at 11pm and asks her to look afterwards Briar while Alix deals with an emergency. On both sides of this divide, working women are making choices about childcare in a world calculated by men, she continues. For a lot of young women working as part-time carers in the US, this precariousness is all the more serious because they have no health insurance. Donald Trump was only an unlikely candidate designed for president when she began writing Such a Fun Age in , although race has always been a conflict-ridden issue in the US, and it shapes the world of the book right from the opening scenes.
Its lead character, year-old Emira Tucker, is called out on an emergency babysitting job by her wealthy employer, Alix Chamberlain. Meanwhile, a passing shopper films everything on his phone. Reid delivers this turbulent opening, and everything so as to ensues, with a glorious fluidity after that wit, and often devastating relatability. All the rage Such a Fun Age, the evil spirit really is in the details. Such a Fun Age dissects the dynamics of white privilege with a agility of touch as well as abrupt observations, and an empathy that lends depth to all of its protagonists.